In 2010 I started B0DYH1GH with Perfect Li’l Daniel. We’re performing for the first time in over a year on Thursday at the Knockdown Center with two of my favorite bands in New York City: BOILED WOOL & SISTER PACT.


Boiled Wool
Sister Pact

Saturday, July 29, 2017
7:00pm Doors/8:00pm Show
21+ // Tickets $8: http://ticketf.ly/2p5u1Cd

A DEEP BOOMING LAUGH is an evening of atmospheric music by Brooklyn-based bands B0DYH1GH, Boiled Wool, and Sister Pact. Largely inspired by Riot Grrrl culture, the three acts revel in the Sad Girl aesthetic, producing pensive, intensifying music that features gorgeous sound reverberations that resonate within the acoustics of the Knockdown Center, providing an opportunity to collectively explore what diligent and thoughtful music can mean in the present.

I’m only a little surprised, but I feel like a lot of people only know B0DYH1GH from our tumblr. Sort of a joke, an art project.
There’s a really good interview with B0DYH1GH in BOMB Magazine, by Ben Rosenberg from 2014.

We also recently put the entire B0DYH1GH discography up on Bandcamp. In advance of our show this week I wanted to talk about these records.


PRETTY BEAUTIFUL was our first mythtape, and is sort of narrative. To my mind, these songs are us sort of finding our way and forging a sound. We’re basically constructing a number of inside jokes and then telling them until they’re not funny anymore. I’m personally really excited by the ways in which sinister and sweet, child and adult look in tandem when overlapped. I think of half of these songs as unlistenable, and the other half as our legendary pop song hits. On these songs maybe more than anywhere, I think PLD really establishes himself as a beautifully perverted lyricist. I don’t know, per se, what he’s singing about, but I feel like they’re resonant of horror and eros,


We made BUTTERBAWL for an art exhibition put together by East Village Boys. I feel like we inadvertently spent more time on this material than anything before or since. I’m really proud of these songs, and I find that people react really positively to these songs in a different way from our more pop-oriented material. There was something really difficult and freeing in not working with vocals or song structures per se. I remember writing and recording these songs during a particularly hot spring day (Mother’s Day) in PLD’s old apartment, in the living room, and feeling like we were in a trance. These are the most abstract and ambient B0DYH1GH recordings but I think also the most melodic and accessible, somehow. Good music for fucking.


The lost mythtape! The final unreleased album! These are the songs and mixes that we recovered after a great absence. We recorded at least three or four versions of these songs, as well as many others that didn’t make the cut. These are the ones that we decided should be on the record.

LILDED GILLY, the title, is obviously referencing the B0DYH1GH aesthetic of rapture and confusion. To embellish and obscure simultaneously. To read and forget. These are our most pared-down, minimalist songs, and maybe the most radio-friendly. I feel like this is our master work and I can’t believe it took so long for them to come out, but I really want people to hear this.

On Thursday, we’ll be performing ALL NEW MUSIC which will sound like a mix of mostly the last two records.

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